Paul Austin Murphy looks at Derrida's intentionally obscure writing style. Murphy observes:How much does a reader need to know about Derrida’s writing style (as well as his philosophy) in order to recognise his (to use Critchley’s words) “wordplay”, “intertextual references”, “allusions”, “neologisms” and “paleonomy”?
Clearly — a hell of a lot.
Of course one can easily argue that one needs to be tuned in — at least to some extent - to any philosopher in order to understand what he or she says. Yet added to that fact — again — is Derrida’s use of language to make it say things it hasn’t previously said. That compounds the difficulties for the reader. And, of course, it’s very clear that Derrida was very happy with making things difficult. Indeed one could easily argue that making things difficult for the reader was at least part of Derrida’s (philosophical) point!
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